A guide to choosing the right ink
So you have maybe decided to buy some new ink, but where do you start? With so much choice, it is hard to know where to turn. Are all inks essentially the same? What do you get for paying more? And what about all those technical terms?
Choosing the right ink can be a daunting process and so this article aims to make the process a lot easier by breaking it down into the various elements that will affect your choice, and to give you a guide on how to go about choosing the right ink.
We will start by looking at the basics of making a decision. These are four factors that should easily rule in or out some inks and help give a basic pointer to guide you.
At the time of writing we have 338 colours available to choose from, and this is spread across 18 choices of inks, not allowing for variations in the bottle size. 300+ colours is overwhelming, especially when you consider that the Diamine ink range has something like 27 blue inks alone.
However, colour is an important factor in choosing your ink, maybe the most important alongside price. For some people this may mean just wanting a basic blue or black ink. For others it means having a specific colour - Enzo Ferrari famously used to sign his name in his signature colour. And no, it wasn't red - he was a purple ink man.
For others, it will extend down to matching an ink to something specific - to your notebook maybe. Others might place importance on matching the colour shade precisely as no two shades are the same. It really comes down to how specific a shade of colour you are looking for. This may mean you have to search around various different inks to find your perfect colour.
The other obvious influence on your choice of ink is likely to be cost. With some bottles costing under £7 and some costing over £30, there's a big difference in price. The question is what do you get if you pay more? Is it a straightforward case of the higher the price, the better the ink? Er...no.
With quality brands like Diamine and Herbin costing well under £10, it clearly doesn't follow that more expensive = better. We only sell good quality inks and so the advice on price would be to choose an ink that suits your budget. We will go on to look at other reasons why you might consider spending more on a bottle of ink later.
We previously looked at the relative costs of different inks, and with inks being sold in various sized bottles you might want to consider this as well. There is little doubt that Diamine ink is the best value, all things considered.
Size is less of an issue, but it's worth a mention. Bottled ink tends to be around 50ml per bottle. Some inks have bigger bottles - Diamine is a whopping 80ml, KWZ is a hearty 60ml - whilst others might be a more modest 30ml.
A big bottle is going to be better value and will last a good while - an 80ml bottle of ink will fill the TWSBI Eco fountain pen about 40 times over! A big bottle of say 50ml+ is perfect when you know you'll want to use the ink frequently, or it's your favourite ink.
Herbin do small 10ml taster bottles which are a great way to test out colours without feeling like you're wasting ink and even this will last you a while. The point being, size might not be so important in deciding since even a smaller bottle will last a long time.
We did look at the relative costs of different inks vs cartridges before - click here to see more
The last of the so-called basic decision makers will be the purpose you intend to use the ink for. Some inks are more suited for specific jobs. You might want a calligraphy ink (which has properties more suited to calligraphy writing), or you might require an ink for archival purposes. You might need a waterproof ink, like Blackstone Barrister ink.
Another element to consider is drying time - if you need an ink that dries quickly then you might consider an ink like Herbin. The alternative is a wetter ink like KWZ, and you might find this proves very impractical if you need to wait ages for an ink to dry.
Your paper choice will also impact upon this - some papers are better for inks to dry quickly if time is an issue. Look at papers from:
Beyond The Basics
Now this is where the choice of ink becomes really interesting. It is also where you move from choosing an ink for more more functional reasons, and find yourself taking greater pleasure from the act of writing and using ink itself.
At the heart if this lies three key elements you can get from an ink - the Three S's. Some inks will display none, some or all of these elements and discovering them is part of the pleasure. Their presence, or lack of, doesn't makes an ink better or worse, it simply helps give an ink its true character.
At this point it worth mentioning the paper. Inks don't exist in isolation and since it is likely you will be using them on paper, then your choice of paper is very important. The same iink will perform differently on different papers. See below for more notes on this.
So what is sheen? This is when the ink dries with with a shiny finish to it. Most ink when dry will be flat and have no 'surface' to it. Sheen is when the ink has an edge that catches in the light. Discovering this when using an ink is part of the pleasure, but as a guide you will find a good sheen to inks like:
If you want to get the best out of the sheen an ink has then we recommend using Tomoe River paper, which just lets the ink show off its best qualities.
Shading is where an ink dries with some variation in depth. So rather than leaving a single solid colour, the ink will be more saturated in colour in one area than another. Is that a good thing? Well that depends on what you like and want from your ink, but it is another area that you can discover more about an ink and how it performs in subtle ways to create something richer and more rewarding.
Inks that are good for shading include:
Some might argue that this comes under sheen, but it is something quite specific. Shimmer inks have a metallic sparkle to them. Literally. They have small particles in the ink which you can see in the bottle., and which will settle and need agitating before using. The result is an ink that sparkles on the page. The result can be quite varied but when it works it can be magical.
There have been a whole host of new shimmer inks released in recent years, so there is a good choice, but you might want to look at these for some good results:
What Else Can Inks Offer?
Is there anything else to an ink outside the basics and how it appears on paper? Well, arguably no. Choosing an ink based on those values will likely last you a lifetime after all. But there are other factors to consider, and these may help guide you in your choice of ink.
Some inks release special or limited editions, and these can be in high demand. For some ink manufacturers this has become an annual event, and most notable amongst the limited edition inks are the Herbin Anniversary inks (this might now have become the Herbin 1798 range as of 2017) and the annual Edelstein Ink of the Year from Pelikan.
Lamy have also started to produce limited edition T52 inks to coincide with the annual launch of the limited edition Safari and Al-Star fountain pens. These tend to be very limited in supply.
Some inks acquire an almost cult-like status. Sometimes there is an obvious reason for it, other times it seems to defy reason. But no matter, if an ink has been given this lofty status then it is popular above all other colours in that range.
Extras & Exotic Imports
In other cases it is simply that the inks have that exotic something - imports from afar that you are unlikely to stumble across in your local WH Smith or inks with a story to tell. Iroshizuku and Kyoto inks come from Japan, Robert Oster and Blackstone inks are from Australia. KWZ inks are made by a husband-&-wife team in Poland. Feeling closer to the story can make you appreciate the ink in a different way.
The Kyoto inks are also just beautiful objects in their own right, from the box to the bottle. Does this affect the ink? The obvious answer is no, but then again you can gain extra enjoyment from something more than just purely functional, and an ink like this is very desirable!
Last but not least is the fact that inks are complex substance. It is no coincidence that KWZ ink is made by two chemists, or that we have worked with chemist-come-bloggers on ink reviews. The process of making an ink requires a lot of input, and not just in terms of colour choice, packaging and marketing.
Look at Iron Gall inks for a clear demonstration of how complex an ink can be - these very traditional inks require sensitive handling in your pen as they can damage it in some cases. As the name suggests, it is made with iron elements and this helps it bond with the paper to form a more permanent mark. More interestingly it is chemistry in the making when you write with it as it changes colour and darkens.
Some inks really are just a complex mixture and discovering inks can leave you somewhere between a writer and a chemist at times.
To summarise, the most powerful influence on your decision of choosing the right ink will be price. A quality ink like Diamine or Herbin comes in at under £7 and will let you choose from well over 130 colours. But once you start to find more pleasure in using inks so you will likely seek out other more expensive inks for the unique properties they can demonstrate. Whether that is the unusual colour, how it performs when used or just a desire to seek out ever new creations will depend on where you ink odessey takes you! In short, start somewhere that feels right, and let you enjoyment lead you.